Friday 21th February 2025, 21.00 pm
translation Masolino D’Amico
with Maria Paiato, Mariangela Granelli, Ludovica D’Auria
direction Giorgio Sangati
set Alberto Nonnato
lighting Cesare Agoni
costumes Gianluca Sbicca
music Giovanni Frison
assistant director Michele Tonicello
production Centro Teatrale Bresciano, Teatro Biondo di Palermo
courtesy of Arcadia & Ricono Ltd
courtesy of A3 Artists Agency
The masterpiece by David Mamet, 1984 Pulitzer Prize winner and multi-Oscar nominee for his cinema screenplays, comes to the Solomeo stage.
Late nineteenth century United States, two ladies and a maid. All the ingredients for a conventional plot, yet substance does not correspond to form: the polished vocabulary of conversation is peppered with vulgarity and we come to see how both once formed a tightly-knit couple. Indeed the term “Boston Marriage” was used in New England in the late nineteenth and early twentieth century to allude to the cohabitation of women economically independent from men. Mamet takes a break from seriousness and in his work he plays for the sake of playing, giving the nod to the brilliant experiments of Williams, and above all, to Wilde’s The Importance of being Earnest. Alongside the performers, language is the absolute protagonist, or rather the unsaid, allusion, extravagance and paradox.
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© 2024 Fondazione Brunello e Federica Cucinelli
© 2024 Fondazione Brunello e Federica Cucinelli
© 2024 Fondazione Brunello e Federica Cucinelli